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| WELL HI THERE! | |||||
| So here we are...my wish is that you explore everything this site has to offer, | |||||
| hopefully you will discover some of the many fantastic original songs that the guys | |||||
| have written. | |||||
| The Clones were a big part of my life, it was a time full of excitement and expectation | |||||
| and I think it's great to have everything we have done over the years put | |||||
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together here in one package. | ||||
| At the time of writing all I can say is that I am simply stunned - well over 2,000 hits on | |||||
| the site! All this from a humble beginning with John putting a few songs on CD, amazing | |||||
| what a scotch and coke will do. | |||||
| Yes, The Clones did end, however, in various ways we continued on our journeys over the | |||||
| years with the 'Post Clone Bands'. The originals kept coming thick and fast and | |||||
| culminated in a band called The Groovediggers. This band finally reunited the four | |||||
| original Clones, we were at our best musically at this time and the guys' song writing | |||||
| really hit a peak, some of the best original songs I have ever heard from the guys | |||||
| were presented in The Groovediggers. | |||||
| I guess I can say all that because I couldn't write a song to save my life, also I can't sing a | |||||
| bloody note! I'm just a drummer, so it lets me off the hook a bit as I can actually be | |||||
| a fan without compromising my abundant musical integrity (just joking!) | |||||
| THE WHYS AND WHEREFORES | |||||
| I just can't believe that all this started from a dusty boxful of old tapes! When investigating | |||||
| this vast menagerie I uncovered a whole heap of stuff, from studio work to live on stage | |||||
| recordings and even some records! | |||||
| A few years back, John came over to my place for that great Aussie tradition, the barbie - he | |||||
| brought along some CDs and explained all about a new project of his; converting some of his | |||||
| own collection of tapes to disc. The tape hiss was gone and the songs sounded great! | |||||
| This was amazing, after a few beers to pluck up the courage I said, "mate! Buddy, old pal, could | |||||
| you maybe put a song or two onto disc for us, won't take too long." | |||||
| Well, that old boxful of tapes finally saw the light of day, as well as another boxful | |||||
| from Mark. Sometimes it was an interesting listen, sometimes a joy as a gem of a song | |||||
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was uncovered. I diligently vetted every track of every tape, as one does in their spare time. | ||||
| At this point I must really thank John for his work in converting these collections, it | |||||
| took a lot of hard work. I am especially thankful that he did such a great job on | |||||
| The Reasons Why discs....John was not in the Reasons Why, he had his own band, | |||||
| The Persuaders but that's another story for another time. | |||||
| I must also congratulate Mark for putting so much work into this website, it looks great and | |||||
| works well, it's quite comprehensive and seasoned with a dollop of humour! I know he is | |||||
| updating it all the time as new material comes to hand. Many of the songs you can download | |||||
| are from that old boxful...very simply put; John converts tapes to disc, Mark puts the site | |||||
| together and voila, there you have it! | |||||
| 30 ODD YEARS | |||||
| When Mark asked me to write something for the site I knew it would be a bit of a challenge, | |||||
| it's now even more difficult as I can't help but reflect on thirty years of friendship and music and | |||||
| it's all there in this site; click this button, hyperlink this and download that. Not to mention | |||||
| the many photos, gig guides, diaries and articles. So I guess I'd better narrow it down | |||||
| to a specific period in time. Without diminishing all the other great | |||||
| things, I'd like to talk about The Reasons Why. | |||||
| When John left The Clones, for the last time, we adapted into a three piece unit. I remember | |||||
| practicing at Sound Lab studios in Canterbury. In the beginning we did most of our | |||||
| practicing there but I'm not sure why we returned there....maybe it was for the chance | |||||
| encounter I had with William Shakespeare, a real pop star who had hits like 'My Little Angel' | |||||
| and 'Can't Stop Myself From Loving You'...we bumped into each other whilst I was | |||||
| heading for the little boys room! | |||||
| It was around this time of late 1979, early 1980 that Mark was penning some excellent tunes, for | |||||
| example 'Am I Asking Too Much' and 'I Was Half Asleep'. Ian also had a great tune called | |||||
| 'No Place to Go' - I have a ripper of a live version that I'd love to put on the website. | |||||
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This was a turning point for me as I started to really work hard on improving my drumming - it | ||||
| really needed it....for example, a drum roll; yes, well how does that go again? The three | |||||
| piece Clones did lots of gigs at the Banksia Hotel and one of our last gigs was at the | |||||
| Vicar of Wakefield being October 3rd, 1980. I have had | |||||
| some songs from that gig put onto disc which may make the website in the near future. | |||||
| BETWEEN BANDS | |||||
| We pretty much went our own way after that and had to contend with | |||||
| that dirty, four letter word "work". Ian and I got married (not to each other!). | |||||
| I remember we enjoyed good times and lots of BBQs as Ian and I joined the | |||||
| mortgage belt brigade out west. Mark would join in the festivities | |||||
| as well. We would listen to tons of early '80s music and vinyl | |||||
| was still the way to go. In my head I'm hearing Culture Club's 'Church of the | |||||
| Poisoned Mind' - sorry, no download available on this site! | |||||
| We were very good friends and it was a great chance just to chill out for | |||||
| a while, no rehearsals or gigs to worry about, but forming another band was | |||||
| always on the cards given how much we liked music. | |||||
| THE LAST WORD | |||||
| One of our numerous diary dates details how "we have played our fourth gig as | |||||
| The Last Word", the date is January 16th, 1983. We had a whole heap of | |||||
| songs and were really playing well together. One of my favourite songs from | |||||
| Mark at this time was 'All the Same to Me. We were at about half covers and half originals. | |||||
| Some of the covers were 'No Dancing' (Elvis Costello) and a great Zombies song, | |||||
| 'Is This the Dream'. I'm not sure about the date but Ian penned a great song | |||||
| titled 'Just One Chance'. | |||||
| The originals that I have named in this, soon to be lengthy article, are all on disc. If room | |||||
| permits, maybe Mark can create some more mp3s for download so you can have a listen. | |||||
| This is about the last word on The Last Word. | |||||
| 9th OF JULY 1983 | |||||
| A review of some diary notes says that "a lot has happened, John has joined a | |||||
| band called Division 4, The Last Word has now morphed into The Reasons Why and | |||||
| done some studio demos." I remember using the spa bath at one of the | |||||
| studios when Billy Field popped in and said hello, I was just relaxing in the bubbles after | |||||
| some heavy drumming sessions.....sorry no 'Bad Habits' here! | |||||
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The demos that we did later at a Kogarah studio opened many doors for us, it was | ||||
| around this time that we were becoming quite popular and starting to draw a crowd, | |||||
| I remember saying to myself "what's the go with all those scooters out there?" This, of course, | |||||
| was the start of a very loyal following for us. It was great having the support of the Mods | |||||
| and everyone else as we gigged all around the place; places like the Vulcan Hotel, | |||||
| Mosman Hotel, Harold Park Hotel, Strawberry Hills Hotel, the Petersham Inn and | |||||
| Quarrymen's Hotel to name but a few. | |||||
| WHY THE WHY | |||||
| I guess for me personally this was a special niche in time where everything was | |||||
| on an upward spiral. What was a three piece band which worked very well now | |||||
| became a four piece and worked even better with the inclusion of a very | |||||
| talented and gifted bass player, namely James Rothery. | |||||
| We're now well into 1984 and were doing substantially well gig-wise. We did lots of | |||||
| radio interviews and played at places like Maroubra Seals Club, Selina's and Sydney Cove | |||||
| Tavern. Some of the bands we were playing with were The Cockroaches, Stupidity, | |||||
| Hoodoo Gurus and Dynamic Hepnotics. | |||||
| I would like to indulge in some specific personal memories if I may: | |||||
| Like James joining around mid-1984, as I mentioned he is a great bass player and | |||||
| I really had to practice hard and lift my game as a drummer, we had many | |||||
| new songs and more complex cover work than I had been used to; songs like | |||||
| 'I Can See For Miles' for example but it all seemed to come together - yep, that old | |||||
| rhythm section thing. | |||||
| We even returned to the old church at Coogee for rehearsals....must have been the lure | |||||
| of that great pie shop down the road. Ian was busy employing fancy echo machines | |||||
| and gizmos that gave his own excellent and unique style of guitar playing a much | |||||
| broader scope. Mark was in fine voice and the originals kept coming, Mark was now | |||||
| also dabbling in some lead guitar work himself, gee we were really on a roll! | |||||
| BIG HIGHLIGHTS | |||||
| I remember getting a phone call whilst we were entertaining some friends at my house, | |||||
| it was a call to say that Studio 301 at EMI was now available to finish off the | |||||
| recordings that we made on a new, fan dangled digital desk. This was when digital things | |||||
| were in their infancy. A well known producer, John Bee, who produced Ross Wilson's | |||||
| 'Bop Girl' heard one of those earlier demo tapes and was really impressed with | |||||
| Mark's original work. | |||||
| This was really exciting stuff as I hurried our guests out the door with the explanation that I | |||||
| was off to EMI to make fame and glory. As a result, the songs 'The Reasons Why' and | |||||
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'Leap Before You Look' were recorded. I have a first generation copy direct from the | ||||
| master tape in that old dusty boxful I spoke about earlier - it's now on disc and may make | |||||
| an appearance as a download in the future. | |||||
| We had lots of gigs; the residencies at the Trade Union Club were fantastic, many a late | |||||
| night was had. Lucky my VW beetle had those quarter windows I could turn in such a way as to | |||||
| blow cold air on my face just to keep myself awake on the long journey back | |||||
| to the sticks! We also played some gigs at Newtown Leagues Club, some great nights there. | |||||
| I think it was the Graphic Arts Club in the city that is really etched in my memory; we came on | |||||
| and did 'River Deep, Mountain High' to a packed room, big light show, fog machines and | |||||
| go-go dancers. It was an absolutely fantastic night, no doubt my memory is assisted | |||||
| due to the fact that we all had to share the same dressing room as the dancers, go girls! | |||||
| AT A PEAK | |||||
| We recorded some songs at Sun Studios in the city and from that came Mark's | |||||
| songs 'Big Words' and a fantastic track called 'Undecided', the latter was later released on a | |||||
| compilation album with other Australian bands titled 'Countdown Under - Party at Hanging Rock' | |||||
| It was released in the UK and Europe but not in Australia. | |||||
| The band was going strong, we had our own distinctive style and sound. I have an old tape | |||||
| of a gig made around this time recorded through the mixing desk. The songs sound great | |||||
| and went to disc really well, it kind of sums up all that we were. Right at the peak of | |||||
| things we did a gig at the Sutherland Entertainment Centre - from memory | |||||
| the gig did not go well, something about stuff being thrown at us and equipment | |||||
| malfunctions. | |||||
| Strangely though, I didn't have any pre-conceived ideas about leaving the band, maybe it was | |||||
| just one late night too many, I don't really know, but I did leave The Reasons Why soon | |||||
| after. | |||||
| NO REGRETS, NO WORRIES | |||||
| Our good friend Ed Codsi, a drummer who had played with James in a band called Get Smart, | |||||
| became the new drummer for The Reasons Why. When we did those EMI sessions I spoke about | |||||
| earlier I remembered borrowing Ed's drum kit, it was much better than mine and it | |||||
| sounds great on the recordings, thanks Ed - your cheque is in the mail! | |||||
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| I'm not sure of what gigs The Reasons Why did after I left but I wished them well. After a | |||||
| while I contacted my old mate John Salway to see what he was up to. | |||||
| Why I did this I do not know. The Persuaders had | |||||
| finished by then so John and I formed a band called The Frogs with fellow | |||||
| band members Adam and Danielle. It was a really fun band, Adam was a very fine | |||||
| guitarist and Danielle's great vocals added a whole new dimension. | |||||
| John was working on some new original songs and some of those came to light | |||||
| in this band. The Frogs played some great gigs and we even recorded some work in a studio, | |||||
| however the band ended and from that we reunited with Mark and Ian after The Reasons Why | |||||
| eventually folded. The four of us were now The Groovediggers - maybe if I had not left | |||||
| The Reasons Why then this chapter of our journey might not have happened. | |||||
| As mentioned earlier, two songs were recorded at Sun Studios. These two | |||||
| songs were later remixed and added as the B-side to The Reasons Why's first | |||||
| single 'In the End' which was recorded at Emerald City Studios in January 1987 and | |||||
| released by Phantom Records. | |||||
| The single reached number three on the independent charts, sold in the thousands and was | |||||
| played extensively on 2JJJ-FM. The A-side features Ed's excellent drum work, | |||||
| great guitar playing by Ian and Mark is in fine voice; definitely the best | |||||
| recorded work that I can think of. The B-side tracks being 'Undecided' and | |||||
| 'Big Words' have my original drumming recorded, thanks guys - hmmmm, better | |||||
| put another cheque in the mail. | |||||
| A while after that, the guys went back to Emerald City Studios and recorded what was | |||||
| meant to be a follow-up single, a song penned by Mark titled 'Nothing', also | |||||
| they recorded a new version of 'Leap Before You Look'. | |||||
| The follow-up single was never released, I have it on good authority that the band | |||||
| ended in late 1987. I guess we will never know what might have been for The Reasons Why... | |||||
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IN THE END | ||||
| So, there you have it! I hope this gives you some background about The Reasons Why and | |||||
| other things as well. For me The Reasons Why would be the band that I miss the | |||||
| most; from memory I think it's about four years from go to whoa - lots of exciting times | |||||
| and some great friendships and moments. I think we all have a memory of | |||||
| doing something that feels good and goes well, it kind of gathers | |||||
| momentum and hits a groove. It could be anything really, like playing a | |||||
| team sport, doing well at work or enjoying a hobby or your | |||||
| family and friends. | |||||
| The Reasons Why were definitely headed somewhere, maybe it was destined toward | |||||
| this website! | |||||
| That's all folks!! | |||||
| Noel Sharpe | |||||